A Poverty of Words, by Frederick Pollack
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A Poverty of Words, by Frederick Pollack
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A Poverty of Words, by Frederick Pollack (Prolific Press Inc. 2015), is an important and relevant publication of American Poetry by one of the finest living poets today. "In his rich new collection, Frederick Pollack has opinions and observations about everything. Pollack is 'didactic' in the very best sense of the word- and learn I did from his unflinching, never ingratiating poems." ~Jane Shore (Professor, George Washington University) "If you've never read this poet, prepare for one of the greatest breakthroughs in your reading life. Yes, Frederick Pollack is that good." ~Robert McDowell (Co-Founder and editor, Story Line Press) "I enjoy Fred Pollack's poems, and consider them necessary because they do what poetry should do, grapple with the important. When I dwell on his poems, I can see the images leave the page and come to life." ~Daniel J. Langton (Professor, SF State; winner, Edgar Allan Poe Award) "Pollack has a talent for lines that will draw you up short. It's the kind of thing you might think couldn't be sustained through the sheer volume of poetry in this collection, but you'd be wrong. Every poem deserves a second look." ~Krishan Coupland (Editor, Neon Literary Magazine)
A Poverty of Words, by Frederick Pollack- Amazon Sales Rank: #2149665 in Books
- Published on: 2015-03-06
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .33" w x 6.00" l, .45 pounds
- Binding: Paperback
- 146 pages
About the Author Frederick Pollack was born in Chicago; he lived for many years in California but it didn't take. He now lives and teaches in Washington, DC. Pollack's books, "The Adventure" and "Happiness," are both book-length narrative poems (Story Line Press). More of his work can be found in various journals and publications each year. Pollack's voice belongs to neither the navelgazing mainstream nor the poststructuralist avant-garde.
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2 of 2 people found the following review helpful. Radically 21st Century visions... By J. W. Mahoney Frederick Pollack begins his poem “Ice” with the following lines:If you stand long enoughBy the ice in the crosswalk,Seeking without successA way round,Shadows will come.There have been a very few poets, in these last 75 years or so – W.H. Auden, Philip Larkin, Czeslaw Milosz, and Frederick Seidel - to name several - who have, in light of their own dark clarities, avoided them – and continued to face the ice… And these shadows are bringing solace, a stepping past that particular, unhappy, unworkable vision…What are these “shadows?” Well - in contemporary poetry itself now – these shadows are the illusions of fashionable aesthetic significances: the sere, abstract comforts of language poetry, the rich joys of beautifully/painfully-worded autobiography, the imperial elegance of nearly every form of critique, all succulent and accredited modes. And what’s Frederick Pollack doing differently?Almost always, he constructs narratives - sometimes people acting in real places, sometimes aliens or demigods operating in imagined vistas - and often in in-between spaces, that may be a transformed present, or an elaborated memory.The stories he’s telling are regularly about either difficult conditions, or picture ineffective, if pleasant resolutions. And like the poets mentioned above, he’s writing – directly or metaphorically – about what’s occurring in the world, right now. In the 21st century.To quote Mick Jagger for a moment, that’s when the whip comes down. W.H. Auden saw, in his own dark clarity, the approach of the Second World War, and Milosz lived it, and worried into the metaphysics of the human future, while Larkin watched the 20th century human animal unsparingly, and Frederick Seidel, dangerously, uses his own life as a field of metaphors for the unfolding century. All these poets are existentially-grounded, as Frederick Pollack is. So they still stand before the ice…And what Frederick Pollock does, uniquely, is this: he brings no good news, but what he brings, in a terribly useful abundance, are vatic, metaphorical, premonitory pictures, stories, observations, about the real histories ahead (and behind), and the real conditions in our real, very conflicted world.This writing feels as real - to overuse the word once more - as the poetry of the Roman Empire, of Ovid and Catullus, before that empire began its unexpected collapse. Frederick Pollack is watching, with a radical, aesthetic grace, what’s really happening…
3 of 3 people found the following review helpful. Read These Poems--and Then Read Them Again By Robert D Nordstrom A Poverty of Words is an excellent collection of poems. These are not always easy poems, but it did take me long before I began to trust them, allow them to call me back for a second or third read. Pollack is a keen observer, a thinker in the best sense of the word. If I were to describe this collection as a time of day, I would say dusk--when the light fades and the eyes must readjust. Pollack's takes us through darkened hallways, down moving walkways, through offices closed for the night, encouraging us to reflect upon the residue, the small leavings, that detritus hidden in the glare of sunlight. Strong political undertones run through these poems. The wary relationships between the powerful and powerless: "Doors...left half-open/for the same reason pictures/are tilted, in homes, by maids." Or in "View of the Water," a realtor showing property to wealthy clients who "looks down/at puddles beneath/the wall and scuttling/people the size of rats the size of men." Or in "The Kid," when the powerful and the meek find equality in the body's humiliation on the death bed. There's a Kafkaesque feel to this collection. No one wakes up a cockroach, but Pollack does guide us through a somewhat strange, off-kilter world that's always present but often missed in the daylight. Read these poems and then read them again. It's time worth spent.
3 of 3 people found the following review helpful. It's a romp. By Dennis "A Poverty of Words" is a romp in and out of the classical world and the present. Pollack is a poet that can bring to life a wide range of subjects: fast food, William Turner paintings, and Ovid all find places in his work. He has mastered the correct balance between creative ideas and the craftsmanship of writing -- all sprinkled with the pepper of surrealism. I am most impressed with his ability to inject delightful complication into a phrase'. Example: "...contemporary ghosts at your banquet, no more connected by social media."
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