The &NOW AWARDS 3: The Best Innovative WritingFrom Milks, Megan (EDT)
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The &NOW AWARDS 3: The Best Innovative WritingFrom Milks, Megan (EDT)
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This third volume of The &NOW AWARDS recognizes the hard-esthitting, most provocative, deadly serious, patently absurd, cutting-edge, avant-everything-and-nothing work from the years 2011 through 2013. The &NOW AWARDS series, edited by Davis Schneiderman, features writing as a contemporary art form—writing as it is practiced today by authors who conscious-ly treat their work as an art and as a practice explicitly aware of its own literary and extraliterary history—as much about its form and materials, language, as it is about its subject matter.
The &NOW Conference, moving from the University of Notre Dame (2004), Lake Forest College (2006), Chapman University (2008), the University at Buffalo (2009), the University of California, San Diego (2011), Sorbonne and Diderot in Paris (2012), and the University of California Boulder (2013), to CalArts (2015), sets the stage for this aesthetic, while The &NOW AWARDS features work from the wider world of innovative publishing and surveys the contemporary scene.
The &NOW AWARDS 3: The Best Innovative WritingFrom Milks, Megan (EDT)- Amazon Sales Rank: #2490986 in Books
- Brand: Milks, Megan (EDT)
- Published on: 2015-03-15
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 1.00" w x 8.00" l, .0 pounds
- Binding: Paperback
- 331 pages
About the Author
MEGAN MILKS's first collection of short fiction, Kill Marguerite and Other Stories, was published by Emergency Press in March 2014. Her stories have been included in three anthologies of innovative writing, as well as many journals; two have been adapted for performance. She currently teaches creative writing, literature, and journalism at Beloit College in Wisconsin.
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Most helpful customer reviews
1 of 1 people found the following review helpful. if you're use to experimental fiction (for lack of a better term) or make it a habit of indulging work ... By Daniel Casey what makes writing 'innovative'? I suppose the response to this question is dependent upon what you have read & read. if you're use to experimental fiction (for lack of a better term) or make it a habit of indulging work current & recent MFAers, then I suppose this anthology will leave you feeling ordinary. if you're a consumer of mainstream fiction & just quirky enough NPR recommended work, then the work here might just be enough out of your comfort zone to provoke a black/white critique. insisting on these two categories is unfair and cliche.in this way, &NOW3 presses you. it moves you beyond the snark of cliche and it unfairly confronts you with your own process--of reading, of judgment, of taste.to be conventional, the gems here are Ji Yoon Lee, Daniela Olszewska, Diana George, Matt Bell, Kate Zambreno, Ted Pelton, & Matthew Cooperman/Aby Kaupang.there is also prose poems about Kesha, unreadable fonts that mimic computer code, scribbles, four page sentence, & endless formatting experiments.
2 of 3 people found the following review helpful. I was pretty thrilled because all of the familiar names By Xian Xian This was received from the publisher for an honest reviewIt took me a really long time to read this, because what is it? An anthology. Not a short story collection, but a collection of authors and their stories. When I received this for review, I was pretty thrilled because all of the familiar names, one I've been wanting to read. There were at least two I knew and read already. And the rest were familiar names with work I never got my hands on yet.This whole anthology is dedicated to innovative writing, the most experimental of experimental writing. Some of them are brilliant, sometimes using imagery, and some of them fried my brain with their oddity, almost unreadable, but that's what this anthology is all about. It's all about using writing in ways you would never think of, thought of but feared the audience, or to purposely throw off the readers. Keep the writing for yourself and your soul and give the readers a hard time to own it.I will admit that I loved the poetry more than the stories in here. There were a select few stories that I loved enough to persuade me to check out their other works. There were some that disappointed me, the Dennis Cooper one, but this anthology mostly consists of samples of these authors works.What I really loved about this anthology is not only it's a variety of experiments, but it's diversity also. Writing from all backgrounds and walks of life. Words in different languages and formulas. Different genres ranging from non-fiction, various poetry forms, and hybrid stories that blur between non-fiction, fiction, and poetry. Writing morphed by technology and coding to form more literary art. What's not to love in this anthology? I will admit that it was a bit tiring to read because of so much switching and non-linearity, because you know, it is an anthology, but it will definitely make you add new books to your Birthday/Christmas/Three Kings Day/Lunar Year wishlists.Authors I liked with works I want to buy/read:Lucas de LimaJi Yoon LeeLaTasha N. Nevada DiggsKate ZambrenoCarmen Giménez SmithBrian OliuAmber Sparks & Robert KlossTytti Heikkinen, translated by Niina PollaariJeff VanderMeerChristopher GrimesMatt BellGina AbelkopDaniela OlszewskaKim Gek Lin ShortCarina Finn & Stephanie BergerRating: 3.5/5Originally posted here: http://wordsnotesandfiction.blogspot.com/2015/03/the-awards-3-best-innovative-writing.html
2 of 3 people found the following review helpful. Avant-Garde Smorgasbord By Samuel Moss I guess the unstated goal of any well written review is to either convince or dissuade the reader from picking up and reading the book under review. And while I’ll endeavor here to write something at least mildly engaging and standard review length I’ll just let you know off the bat that you probably don’t need to read this whole review. I say this because for this book, this anthology called &NOW 3, you will undoubtedly fall into two pretty polarized camps based on one sentence. Essentially it goes like this: If the sentence ‘This book is full of lots of different really weird stuff’ gives you the sort of excited jumpy feeling around your sternum and makes you want to run out and pick it up then just go ahead and get the anthology now. Don’t waste any time, just go out and pick it up and read it and revel in it. If you read that sentence and get a kind of ‘oh jeez’ sinking dragging sensation then I still think you should pick the anthology up (educate yourself) but I doubt anything I can say about the thing will convince you. These &NOW award anthologies (this being the third in the series and the second that I have read and reviewed) read like a directory for the US (and otherwise) avant-garde writing milieux. Many of the big names are represented (Cooper, Bell, Butler, Place et c.), there are a number of emerging and less well known names, as well as strong showing from some of the notable presses, and journals active including: Jaded Ibis, FC2, Noemi, The Collagist, Semiotext(e), Birkensnake, Ahsahta and so on. So not only is the &NOW anthology a great way for the reader to find new writers and works, it is a great resource for writers as well, in a way a compendium of potential markets, MFA programs, grants and awards to keep an eye on for future endeavors. Admittedly my tastes stray toward the more mundane prose presented here and yet I’ve consistently found a number of pieces that really grab me. I suppose this is sort of the situation with the &NOW awards: nearly everyone who reads it is going to find most of the pieces are outside their range of taste, but will inevitably stumble upon at least four or five new names that are really invigorating and exciting and totally novel and worth looking for. The &NOW2 anthology alone caused me to go out and find at least five books from authors I had not read before. The importance of this cannot be overstated. This being one of the more difficult aspects of reading in the avant scene is just finding the writers you might like in an area that can come off at times as impenetrable and intimidating. This is undoubtedly one of the anthology’s greatest strengths and crippling weaknesses: there is just so much here. It is an avalanche, a deluge a jungle of seventy plus authors/collaborations/anthologies and projects. It should be noted that all the pieces were published between 2011 and 2013 which means they are fairly new, but at this point a bit outside of the bleeding edge. This installation of the awards notably includes a solid showcase of marginalized writers in the form of selections from two anthologies: “I’ll Drown my Book: Conceptual writing by women.” And “Troubling the Line” a collection of trans and genderqueer writing. I’ve included a few entries on the pieces that really stood out to me. It should be noted that this is not a representative sample of the writing in this anthology, but just the pieces that stuck out to me. Amber Sparks and Robert Kloss’ “The Desert Places” Is a vast, biblical cosmic query, a rumbling, roiling conflagration of prose that cuts to the core. Margo Berdeshevsky’s “Square Black Key” Presents the life of a middle aged women through the objects she surrounds herself with and the memories and sensations that form her psyche. Anna Joy Springer’s “Variations on a F*cked up Theme: The Ruling Class Rules for Realism” An essay which is part polemic against realism, part meditation on US politics and a whole lot of other stuff. Fast paced, opinionated and vibrant. Marina Blitshteyn’s “Kaddish” A wordless poem, written out only in accents. What seems like just an interesting concept actually materializes into one of the best poems I have read in recent memory. Jayson Iwen’s “Three Polyvalent Poems” Three poems laid out in four blocks of four lines each. This provides (at least) three different ways to read each poem depending on how the lines are spliced together, each version providing a slightly different meaning, connotation, and amount of cohesion. Carina Finn & Stephanie Berger’s “Two Emoji Poems in Translation” Wherein a ‘poem’ is written entirely as a string of emojis by one author, then translated into English by the other author. The resulting poems are not gimmicky but clever, inventive and very engaging. Laura Zaylea’s “Using Basic Conjunctions: And, But, So, Or” Styled as a description and lesson on the use of the types of conjunctions with illustrations in a series of permutations on a scene of longing. This piece cleverly draws us into a story we are not expecting and mirrors the expectations, rules and infractions of relationships with the notions of literary rules. Janis Butler Holm from “Rabelaisian Play Station” Brilliant playful poems that pull every ounce of juice out of syllables and meter. While the words themselves tend to be playful or funny or meaningless the strict adherence to meter brings up notions of very serious classical poetry. Duriel Harris’ “No Dictionary of a Living Tongue” From the anthology “Troubling the Line” Simply powerful, jarring poems. James Tadd Adcox’ “Viola is Sitting on the Examination Table” Astute, muted, minimal realism. Johannes Helden’s “Elect” An interactive, dark prose piece using a computer as the medium. Alake Pilgrim’s “Blue Crabs” A stunning prose piece about an abusive uncle, crabbing, and the life of a girl growing up in Trinidad and the fallout of events in her childhood throughout her life. Tom Bradley’s “Family Romance” A strange well written prose piece with crazy monster illustrations. Lots of words play, talking about a family, a pathogen and the destruction of the Amalekites. Plus another fifty or so pieces. The &NOW3 awards. Pick it up, it’s really cool and I guarantee you will find something new, hidden and interesting.
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